Mill Town: Reckoning with What Remains, by Kerri Arsenault (St. Martin's Press, 2020, 354 pages, $27.99)
Two stories are intertwined by author Kerri Arsenault - one, of the land and its resources, and the other, of a family, over generations - how the people worked in the paper mills and how the paper mills eventually killed the people, slowly. But they stayed because it was all they knew and they loved the other people there (Mexico, Maine, was a mill town [nearly everyone worked at the mill all their lives]) and because it was easier to stay than to leave. Isn't that true of everyone's hometown?
The history of Acadia* Maine over the centuries entangled with the more recent history of her Acadian family, both tainted by the pollution of the paper mills but also of the monetary enhancements such steady but monotonous (and physical) employment brings.
Can one every really go back home again, excluding visits, weddings, holidays, birthdays, anniversaries and funerals ?
On the other hand, how long does it take one to become a 'native'? If one's family lives in a small town for generations but one child in a large family leaves, only to return occasionally over the next 20 years and then just happens to try to improve the public health of the townsfolk through education and change and political action, is she an outsider - or to be followed?
LLBean and Bass shoes and Poland Spring bottled water (one of Nestle's 48 brands with 30% market share) and Burt's Bees (including how it got its start) and the vacationland that Maine is, juxtaposed against the working middle class of factory men and their tedious but steady work and adequate pay, albeit also killing pollution. The hard jobs, they pay well.
Overall Grade: A-
Writing Style: A
Organization: B (or A+)
Research/Content: A+
Discussability: A
Writing Style: A+
Delightful long sentences. ". . . before the ocean pulls the river away, so many things have gathered in its draft: a tire, a plastic bag, chicken bones, car parts, an old shoe, chromium, rotted wood, arsenic, a disagreeable tangle of wire, a shopping cart from a grocery store that no longer exists, polycyclic aromatic hydrocarbons, mercury, dioxin, even a corpse." (page 155)
Rather than writing something like "the colors were blue, pink and white," Arsenault would write (like in the paragraph above) "the colors were blue, pink, white, green, yellow, red, purple, lime, chartreuse, lavender, and burgundy, not black, brown, orange, cream, turquoise, navy or melon."
On page 185 for example, "We could hunt, fish, snowmobile, hike, paddle, log, ski, camp, and snowshoe. . . ." Sentences reminiscent of a pre-teen but constructed so adroitly that I had to smile as I enjoyed them. Nearly every paragraph had a gem.
Organization: B (or A+)
Arsenault seamlessly weaves together history, autobiography/memoir, and science/technology and artfully makes it read like a novel. Halfway in, she includes an Interlude and at the end, a Coda. Chapters have titles (thank goodness).
Research/Content: A+
Caveat; This book was sent to me for review. It is also available in the Howard County, MD, public library system.
* Longfellow's 1847 poem Evangeline tells of a couple separated by the pogrom of Acadians from Maine
**Times Beach, MO, 40 years ago, and Julia Roberts' and Albert Finney's Erin Brockovich (2000)(PG&E, Hinckley, California, and hexavalent chromium)
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